Showing posts with label Robert Mitchum. Show all posts
Showing posts with label Robert Mitchum. Show all posts

Monday, September 19, 2011

Celebs Celebrate John Mitchum

John Mitchum in Noises Off.
When Cindy Mitchum Azbill’s father, actor, singer and poet John Mitchum, passed away in 2001, she had the idea of commemorating his life with a memorial website. But a few of John’s celebrity friends, including actor Ernest Borgnine and producer A.C. Lyles, said he deserved something bigger. An idea was born: Contact John’s friends and ask each one to pick their favorite John Mitchum poem and record it. The result is Old Friends, Why I Love Them: a 10-year project of 50 recorded poems featuring some of Hollywood’s brightest stars – many of who have connections to Arizona’s Little Hollywood. (Though John never made a film in Sedona, his brother, Robert Mitchum, starred in Blood on the Moon; John is best known for his role as Clint Eastwood’s partner in three Dirty Harry films.)

Among the talent who have filmed movies in Sedona and recorded John’s poetry, you’ll find Ernest Borgnine and Ben Cooper (Johnny Guitar); James Drury (The Last Wagon); L.Q. Jones (Stay Away, Joe); Jane Russell (actress and former Sedona resident); Morgan Woodward (Firecreek); Bruce Boxleitner (Kenny Rogers as The Gambler, Part III: The Legend Continues); and Ann Rutherford (Out West with the Hardys). Though he doesn’t have a Sedona connection, Academy Award winner Robert Duvall recorded John’s best-known poem, America, Why I Love Her (written at his home in Los Angeles in 1969). John Wayne originally recorded the poem, which became the title track for John Wayne’s only album, released in 1973. John Mitchum was nominated for a Grammy for the record.

“There’s been a remarkable outpouring of love and respect for my father, his poetry and each other,”says Cindy. “I think every Western [film] is represented on this record.”

Though the album won’t be released until the end of this year, at press time plans were in the works to screen a video of Robert Duvall reciting America at the unveiling of the 9/11 memorial in New York City this month. For more info, visit www.johnmitchum.com.––By Erika Ayn Finch. Originally published in the September 2011 issue of Sedona Monthly

Saturday, September 25, 2010

Sedona Movie Alert!

Blood on the Moon launched Robert Wise onto the “A” list of Hollywood film directors in 1948. The Western noir starring Robert Mitchum gave the Sedona terrain a darkly sinister look, though some credit must go to Mother Nature, who sent in the ominous clouds that provided the familiar scenery a chill unique in its on-screen history.

Co-starring Barbara Bel Geddes, Robert Preston, Phyllis Thaxter and Walter Brennan, Blood on the Moon will air on Turner Classic Movies September 28 at 4 a.m. Eastern Time.

Friday, September 10, 2010

Republic Pictures Celebrates 75 Years

Forget MGM – how many tapdancers have you noticed bucking and winging across the screens of your local multiplex lately? The Golden Age movie studio that has really had the biggest influence on modern-day Hollywood is Republic Pictures, the legendary B-picture factory once located in the Studio City district of Los Angeles’ San Fernando Valley. Republic specialized in pop escapism decades before the phrase “summer blockbuster” was invented, mass-producing a steady stream of serials, Westerns, action adventures, sci-fi flicks, mysteries, melodramas and yes, even musicals, between the mid-1930s and the late-1950s. In that dinosaur era before computers and green screens, Republic’s films boasted the best special effects in the business; and in 1941 the studio even made the first live-action movie based on a comic book superhero, The Adventures of Captain Marvel. But it wasn’t all explosions, masked heroes and cliffhangers. Republic had more sedate moments, too, releasing critical darlings like Orson Welles’ Macbeth (1948) and John Ford’s The Quiet Man (1952).

The “Thrill Factory” has faded into history, but on Sept. 25 movie fans will have the rare opportunity to walk where cowboys Gene Autry and Roy Rogers rode when the Cultural Affairs Committee of the Studio City Neighborhood Council and Museum of the San Fernando Valley salute the 75th anniversary of Republic Pictures with a celebration on its former lot, now CBS Studio Center.

The Republic Pictures lot, circa the early 1950s.
The festivities will include appearances by Republic stars Adrian Booth, Anne Jeffreys, Hugh O'Brian, Jane Withers and Theodore Bikel; screenings of classic Republic films; stunt shows; fast-draw demonstrations; rope twirlers; trick horses; lectures; book signings; live musical performances and on-site cancellation of the United States Postal Service’s Cowboys of the Silver Screen commemorative postage stamps. Best of all, admission to the shindig is free. John Wayne, Republic’s biggest contract star, would have been mighty pleased.

The 40-acre Republic/CBS Studio Center lot has seen its fair share of Hollywood history. Opened in 1928 as Mack Sennett Studios, it was built by the King of Comedy as an assembly line to churn out two-reel slapstick shorts. Sennett went bankrupt five years later, and the property became an independent production facility for low-budget filmmakers. Mascot Pictures, which specialized in Saturday matinee serials like The Phantom Empire (1935), took over most of the space and the lot became known as Mascot Studios.

In 1935, Mascot merged with three other Poverty Row companies along with film-processing laboratory Consolidated Film Industries to form Republic Pictures. Over the next 25 years, 1,081 features, serials, animated cartoons, short subjects and training films were produced on studio grounds, some even starring A-listers like Errol Flynn, Barbara Stanwyck, Myrna Loy and Robert Mitchum.

Sedona and Republic are historically joined at the hip. In 1946, the studio built a Western street set for John Wayne’s Angel and the Badman near Coffee Pot Rock that was left standing at the end of filming and became a major enticement for other companies to shoot their movies there. The Fabulous Texan, a Republic A-Western starring B-cowboy William Elliott, was partially photographed around the area in 1947 and was soon followed by a pair of experimental two-day location shoots Republic saw as a way to keep production values high and costs low for its mid-budget Western opuses, Hellfire and Singing Guns.

Without question, the greatest collaboration between Republic and Sedona was Johnny Guitar, Nicholas Ray’s over-the-top 1954 Truecolor Western starring adversaries Joan Crawford and Mercedes McCambridge. The film, a critical dud when originally released, is now considered a masterpiece and listed on the Library of Congress’ National Film Registry as an American cultural treasure.

Despite its later acclaim, by 1963 Republic was under siege. CBS leased the studio lot from the ailing company, which by then was reduced to surviving by renting its old film library to TV stations, and the lot was formally renamed CBS Studio Center. (The network bought the property in 1967.) Today, CBS Studio Center is one of the busiest sitcom production facilities in Los Angeles.

CBS Studio Center is one of the few lots in Hollywood that doesn’t offer tours, and it isn’t open to the public. So don’t miss this rare opportunity to celebrate the late, great Republic Pictures on its home turf. Who knows? You might have to hang on for 75 years to get another chance – and time is the only cliffhanger with no chance of an escape.

Director Nicholas Ray (kneeling) and Joan Crawford check out Johnny Guitar’s script during filming at Republic studio.

Republic Pictures’ 75th Anniversary Celebration will take place Sept. 25 from 11 a.m. to 5 p.m. at CBS Studio Center, 4024 Radford Ave., in Studio City, Calif. Admission is free. For more info, call the Studio City Neighborhood Council at 818-655-5400, e-mail republicpictures75@gmail.com or visit www.republicpictures75th.com.